Skip to main content

Childhood Influences

The recent death of Carrie Fisher brought a lot of emotion out among my friends, mostly but not all related to her role in Star Wars. It set me thinking about childhood influences and how much of a role they play in our lives. Part of this is because, well, as you know I saw the films too late for them to form much of an influence, and when I did it was through a prism of political theory which probably isn't very helpful but continues to colour how I view the franchise. Eve did find them a big influence, as did a load of my other friends and so I'm left in a sort quandary, wondering what did influence me as a child.

My teens were heavily shaped by Michael Moorcock's work, and by a plethora of D&D fiction among other books. Musically I was into miserablist indie, bands like Kingmaker and the Manic Street Preachers - I wouldn't discover Goth or the delights of RPGs until I went to university. I spent most of my time lusting after Stormbringer, or having weird fantasies about an enchanted panther skin that meant I could transform into said beastie (from memory this was a particularly convoluted power fantasy where my school had been dragged through into a massive, magical rain forest and far from being a little, cowed weakling I was able to be Mr Independent with my swanky coat).  Beyond that, I was heavily into Marvel Comics, especially the X-Men with a huge amount of love for the original five, and especially Archangel.

But my childhood? I don't really know if I'm honest. The only films I remember seeing at the cinema before I was a teenager were Disney's Robin Hood, The Jungle Book (twice), Return of the Jedi and Back to the Future, which I only got to see because I pestered my Mum enough for her to come to see it with me. Cinema wasn't really part of my parents' lives, in the same way, that Fantasy and Science Fiction weren't. Beyond that the only exposure to film I really remember was when my parents had their annual cheese and wine parties and I was pushed off to perform video duties with a hired VCR and their friends' sprogs. This was usually an exercise in confirming how little I knew about Film as the guests would invariably have seen things like Sword in the Stone and had no interest in seeing it again. For my parents, these things were distractions, they were adults in the old school and had 'put away childish things', from what I recall.

I probably only got into the genres because of my Grampy, and even then I'd read his big fat book of myths before I even knew about the Hobbit or Lord of the Rings. TV was the same, Colin Baker was the Doctor by the time I saw any Doctor Who*, so perhaps I missed out on the 'cower behind the sofa' years, and while I watched He-Man and played with the toys I had, it was never the huge influence that it seems to have been on other people (and my favourite toy was always Lego). To be honest, beyond the moratorium on watching Grange Hill (a children's soap opera which dealt with things like drug addiction and bullying in rather too much detail for many parents' comfort) and a desire to keep my sister and I from watching ITV as much as possible, I struggle to remember much about telly from when I was a child at all.

Books are clearer, not just the classics like Tolkien, Carrol and Lewis, but authors like Rosemary Manning, Rosemary Sutcliff and others. I even read some SF with a lot of clones in, which were probably what we'd call Young Adult today, but in those days were just children's books. It puts me in an odd situation where death has already claimed most of the people I would associate with growing up.

I'm not sure where that leaves me today, apart from often looking on in confusion as friends fall apart because of the high number of famous people who are dying (sadly I fear the next few years are going to be rough because we're reaching the point where the Baby Boomers are passing over in increasing numbers and us Gen X types are left holding the ball). I understand that they've been inspired by the people who are dying but to be honest, because I don't see death as a great and terrible thing and because, as I said, most of the famous people who shaped my childhood are already gone (or are connected to things in a fashion that doesn't impact on my enjoyment of said things directly), it feels odd. That's not a judgement on them, probably more of a sign that I'm disconnected from the rest of humanity.

*The age of 8 was apparently a pivotal one for me, as that's when I read Lord of the Rings, saw Dr Who, the friend who's birthday treat was see Jedi was turning 8, and I learnt my first swear word because my Dad had his nervous breakdown.

Comments

Popular posts from this blog

Surviving and Thriving in the Urban World of Darkness: A Guide for Garou

 Welcome to the blog, or welcome back if you're a regular reader. Thanks for stopping by. This is Shores of Night. On Sundays we talk about Werewolf: the Apocalypse , White Wolf's eco-horror roleplaying game. I talk about things within the game that interest me, explore areas which I think need to be considered, and sometimes try to make stuff.  Apologies for missing last week, life got in the way. I'm finding things a bit hard at present because I'm consuming too much news content and even though I'm in the UK, current events in the US are weighing heavily on my mind. It feels like life has become that much more difficult and, in the themes of Werewolf, that what's happening will only lead to the planet suffering more. It feels like our cities will become darker and less pleasant too, though perhaps not to the extent that they would be in the World of Darkness. At least we can be relatively sure that what's happening in the "real world" (if such a...

101 Changeling: the Dreaming Story Seeds

I've put together 101 Story Seeds for Changeling the Dreaming which is free to anyone to use for their Changeling Chronicles.. You can find it as a PDF download here: 101 Changeling the Dreaming Story Seeds . I've detailed possible subplots for the game, the same as I did with Hellfrost. The thing I should say before you go a-scrolling, is that some of the plot lines are for adult gamers, be that because they deal with adult subjects or because they're the sort of things that are a bit more to do with planning and so on. I'm planning to put together a Changeling micro setting, set at a campus university, please let know if that would be of interest. Changeling the Dreaming, Kithain and other official game terms are copyright White Wolf Games (1995), while original characters are copyright of Steve Cotterill (2018) Permission is given to use original characters for home use. 101 Changeling the Dreaming Story Seeds Mean: Some of the Kithain ar...

The Traveller's Guide to the Umbra

 Welcome back, or if you're here for the first time, then hello. These blog posts are dedicated to the roleplaying game Werewolf: The Apocalypse , one of my favourite games. They're intended to form a primer for the game, to explain it to potential new players. Most of what I've written has been tagged with the Werewolf label, and I'm working to ensure everything I've published for the game here has the tag.  This week, we're returning to the mysterious spirit world, the Umbra, to discuss travel and survival. Last time we got a basic idea of the part of the Umbra werewolves interact with the most (there are other realms, but those appear in Mage: The Ascension and Wraith: The Oblivion far more than in Werewolf, and can be challenging for the Garou to visit, so I'm only going to cover them if it's requested. This content is designed for the 20th Anniversary Edition of Werewolf, which is what I'm sticking with. Apologies if you're a 5th Edition f...